Audience Feedback Very Helpful In Making Act 1 Revisions

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The Gayland writing team is meeting over the weekend to make edits to Act 1, based on what we learned from the recent Act 1 reading in NY. Thanks much to the audience and your varied and perceptive feedback. It’s really helping us make the choices required to slim down and add oomph to the first act.

Gayland 5.0 Act 1 Table Reading Went Very Well

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We had about 25 friends and Broadway professionals in attendance. The first act ran long at 1:25 minutes, so we’ll need to cut that by about 15 minutes. We also solicited written feedback from audience members, which is proving to be fascinating.

Some of the roles were played by old fav actors we’ve worked with before, and in some roles we tried out new actors. It’s wonderful to be working in NY where there are so many talented performers.

Our new Music Director, Mark Hartman, proved himself to be extremely musically adept, technically eagle-eyed, a tireless coach, and also very funny. We’re delighted to have connected with him.

Thanks to our wonderful cast:

Danielle Erin Rhodes – Willow
Shaleah Adkisson – Boo, Sally
Stephen Elkins – Zack
Ivan Griffin – Brock, Dad
Blake Zolfo – Finn, Pops
Sam Given – Gaige
Troy Rucker – Belsen Barnard, Pizza Guy, Caleb, Ensemble
Natalie Pavalek – Bambi Krushjoy, Zoe, Publicist, Ensemble

Next steps for us are a rewrite, and then a read of probably the entire play in a couple of months.

Excellent New York Visit

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We’ve just finished a whirlwind tour of Broadway, taking in seven of the current shows: some huge, some standards, some struggling. All of it was immensely educational, and the experience is helping us fine-tune the final drafts of Gayland 5.0.

We also had the opportunity to meet with a Broadway producer and an investor, who both offered valuable insider perspectives and expressed interest in seeing our next steps. There’s also the possibility of introductions to some key players, once we have this version finished.

In addition, we had the opportunity to check in with our growing family of creatives and actors that are helping to grow Gayland and have shown a keen aptitude for developing the characters and music.

Our goal is to have Gayland 5.0 done in the next 6 weeks, with table reads to come in the early fall.

The New Full-Length “Gayland” Is Ready To Go

Gayland 20 GraphicAfter the success at the 2013 Fringe Festival in New Orleans, we set about revising and expanding “Gayland” based on what we learned from the performances and the audience reactions. The new version is a complete Broadway-length musical, with lots of fun new songs, like the tender ballad, “Don’t Forget Your Cock Ring.”

If you’d like to find out more about the new “Gayland,” please contact us at gaylandthemusical@gmail.com.

Extra fun on closing night

Sunday night, we played to a very full house, and the cast was in a playful mood with lots of ad libs. Probably the audience favorite was from Lesley De Martin, as she hurried her class offstage at the end of Mismatch Mercy Mission, “Come on, this is Fringe. We only have an hour!”

When it was over, we popped champagne, exchanged hugs, and posed for the group photo:

Gayland Cast and Crew

The “Gayland: The Musical,” cast, crew, and creators.

Left to right: Doug Therrien, Lori DeLeon, Spencer Doyle, Charles Kohlmeyer, Dilyara Shiderova, Dave Hurlbert, Scott King, Christopher St. John, Ivan Griffin, David Kaplinsky, Christopher Thompson, Kathleen Westfall, Chard Gonzalez, (second row) April Mok, Joe Furnari, Nick Shackleford, Brittany Scofeld, Lesley DeMartin. Not pictured: Swamp DeVille (sets) Veronica Russell (costumes)

Photo by Sandy Mustard, 11-24-13.